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=List of compositions by Franz Schubert= From Wikipedia, the free encyclopedia

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Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1tes Werk" in 1821. The Lied, composed in 1815, was later adopted along with its prior versions in AGAXX, 3 [https://imslp.org/wiki/Erlk%C3%B6nig,_D.328_(Schubert,_Franz) No. 178] (1895) and NSE IV, 1 (1970). Franz Schubert (31 January 1797 – 19 November 1828), a late Classical – early Romantic Viennese composer, left a very extended body of work notwithstanding his short life. He wrote some 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies(seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, triosand duos.[1] [2] [3] %E2%80%93[httpsbooksgooglecombooksidSL3VXT875IQCpgPR17_xvii]-4 [4]] %E2%80%93[httpsbooksgooglecombooksid5MSxqOisofgCpgPA484_484]-5 [5]] [6]

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order.[7]  A revised edition appeared in German in 1978.[8]  Later editions of the catalogue contained minor updates.[9]

Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumousopus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). In the meanwhile also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty "Nachlaß-Lieferung" (instalment from the heritage) editions.[7]

There are two attempts to publish everything Schubert has composed in a single edition: Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work.[12]  Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.[13]
 * From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the "Alte Gesamt-Ausgabe" (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website.[10]
 * The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). It proposes around eighty-three volumes, in eight series. Publication of all volumes has been scheduled to conclude in 2016. Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany.[11] [9]

Contents

 * 1Works listed in the Deutsch catalogue
 * 1.11810
 * 1.21811
 * 1.31812
 * 1.41813
 * 1.51814
 * 1.61815
 * 1.71816
 * 1.81817
 * 1.91818
 * 1.101819
 * 1.111820
 * 1.121821
 * 1.131822
 * 1.141823
 * 1.151824
 * 1.161825
 * 1.171826
 * 1.181827
 * 1.191828
 * 1.20Composition date undetermined
 * 2Not in the Deutsch catalogue
 * 3References
 * 4Sources
 * 5External links

Works listed in the Deutsch catalogue[edit]
The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. [https://en.wikipedia.org/wiki/List_of_compositions_by_Franz_Schubert#obsolete Nos. 993–998] referred to manuscripts that had resurfaced shortly before the catalogue was printed.[7]

Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.<sup id="cite_ref-FOOTNOTEDeutsch1978_8-1">[8]
 * Spurious and doubtful works (Anh. I)
 * Annex I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue.<sup id="cite_ref-FOOTNOTEDeutsch1951_7-3">[7]  The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (annex), including some that were for that reason removed from the main catalogue.<sup id="cite_ref-FOOTNOTEDeutsch1978_8-2">[8]


 * Arrangements by Schubert (Anh. II)
 * The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang<sup id="cite_ref-FOOTNOTEDeutsch1978_8-3">[8]


 * Works of others composers copied by Schubert (Anh. III)
 * Annex II in the first edition of the catalogue contains compositions by other composers copied by Schubert.<sup id="cite_ref-FOOTNOTEDeutsch1951_7-4">[7]  In the 1978 edition the list was expanded and became Anhang III.<sup id="cite_ref-FOOTNOTEDeutsch1978_8-4">[8]


 * "Setting" vs. "version" distinction
 * the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.<sup id="cite_ref-FOOTNOTEDeutsch1951_7-5">[7] <sup id="cite_ref-FOOTNOTEDeutsch1978_8-5">[8] <sup id="cite_ref-FOOTNOTENSA_scores_11-1">[11] <sup id="cite_ref-FOOTNOTENSA_website_9-2">[9]

1810[edit]
See also: § 1–1C

Most of Schubert's compositions of 1810 (or earlier) are in the range D 1–1C:
 * Instrumental works include:
 * Fantasy in G major for piano four-hands, D 1
 * Vocal music includes:
 * Song in C minor, D 1A

1811[edit]
See also: § 2–12

Most of Schubert's compositions of 1811 are in the range D 2–12:
 * Instrumental works include:
 * Symphony, D 2B
 * Overture to the comedy Der Teufel als Hydraulicus, D 4
 * Vocal music includes:
 * Der Spiegelritter, D 11

1812[edit]
See also: § 13–37

Most of Schubert's compositions of 1812 are in the range D 13–37:
 * Instrumental works include:
 * String Quartet No. 1, D 18
 * String Quartet No. 2, D 32
 * String Quartet No. 3, D 36
 * Vocal music includes:
 * Klaglied, D 23

1813[edit]
See also: § 37A–91

Most of Schubert's compositions of 1813 are in the range D 37A–91:
 * Instrumental works include:
 * Symphony No. 1, D 82
 * String Quartet No. 4, D 46
 * String Quartet No. 5, D 68
 * String Quartet No. 6, D 74
 * String Quartet No. 10, D 87
 * Vocal music includes:
 * Des Teufels Lustschloß, D 84 (composition started late October 1813)
 * "Trinklied", D 75
 * "Sehnsucht", D 52
 * "Der Taucher", D 77

1814[edit]
See also: § 92–126

Most of Schubert's compositions of 1814 are in the range D 92–126:
 * Instrumental works include:
 * Symphony No. 2, D 125 (started December 1814)
 * String Quartet No. 7, D 94
 * Quartettsatz, D 103
 * String Quartet No. 8, D 112
 * Vocal music includes:
 * Mass No. 1, D 105
 * "Gretchen am Spinnrade", D 118
 * "Sehnsucht", D 123

1815[edit]
See also: § 127–330

Most of Schubert's compositions of 1815 are in the range D 127–330:
 * Instrumental works include:
 * Symphony No. 3, D 200
 * String Quartet No. 9, D 173
 * Piano Sonata in E major, D 157
 * Piano Sonata in C major, D 279
 * Vocal music includes:
 * Der vierjährige Posten, D 190
 * Die Freunde von Salamanka, D 326
 * Mass No. 2, D 167
 * Mass No. 3, D 324
 * Stabat Mater in G minor, D 175
 * "Schwertlied", D 170
 * "An die Freude", D 189
 * "Rastlose Liebe", D 138
 * "Der Mondabend", D 141
 * "An Mignon", D 161
 * "Wandrers Nachtlied", D 224
 * "Heidenröslein", D 257
 * "Vaterlandslied", D 287
 * "Sehnsucht", D 310
 * "Mignon", D 321
 * "Hermann und Thusnelda", D 322
 * "Harfenspieler", D 325
 * "Erlkönig", D 328

1816[edit]
See also: § 331–510

Most of Schubert's compositions of 1816 are in the range D 331–510:
 * Instrumental works include:
 * Symphony No. 4, D 417
 * Symphony No. 5, D 485
 * Rondo in A major for Violin and Strings, D 438
 * Adagio and Rondo concertante in F major, D 487
 * String Quartet No. 11, D 353
 * String Trio, D 471
 * Piano Sonata in E major, D 459
 * Vocal music includes:
 * Mass No. 4, D 452
 * Magnificat, D 486
 * Stabat Mater in F minor, D 383
 * Gesänge des Harfners aus "Wilhelm Meister", D 478
 * "Sehnsucht", D 359
 * "Der König in Thule", D 367
 * "Mignon", D 469
 * "Sehnsucht", D 481
 * "Der Wanderer", D 489
 * "Wiegenlied", D 498

1817[edit]
See also: § 511–598

Most of Schubert's compositions of 1817 are in the range D 511–598:
 * Instrumental works include:
 * Symphony No. 6, D 589 (composition started in October 1817)
 * String Trio, D 581
 * Violin Sonata in A major, D 574
 * Piano Sonata in A minor, D 537
 * Piano Sonata in A-flat major, D 557
 * Piano Sonata in E minor, D 566
 * Piano Sonata in D-flat major, D 568
 * Piano Sonata in E-flat major, D 568
 * Piano Sonata in F-sharp minor, D 571
 * Piano Sonata in B major, D 575
 * Vocal music includes:
 * "Der Tod und das Mädchen", D 531
 * "An die Musik", D 547
 * "Die Forelle", D 550 (not all versions of this Lied were composed in 1817)

1818[edit]
See also: § 599–632

Most of Schubert's compositions of 1818 are in the range D 599–632:
 * Instrumental works include:
 * Symphony, D 615 (sketch)
 * Piano Sonata in C major, D 613
 * Piano Sonata in F minor, D 625
 * Vocal music includes:
 * Three Sonnets, D 628–630, with German texts after Petrarch

1819[edit]
See also: § 633–678

Most of Schubert's compositions of 1819 are in the range D 633–678:
 * Instrumental works include:
 * Trout Quintet, D 667 (year of composition however uncertain)
 * Piano Sonata in C-sharp minor, D 655
 * Piano Sonata in A major, D 664 (or 1825?)
 * Vocal music includes:
 * Mass No. 5, D 678 (first version started in 1819)
 * Die Zwillingsbrüder, D 647
 * "Prometheus", D 674

1820[edit]
See also: § 679–708

Most of Schubert's compositions of 1820 are in the range D 679–708:
 * Instrumental works include:
 * Quartettsatz, D 703
 * Vocal music includes:
 * Lazarus, D 689
 * Sakuntala, D 701

1821[edit]
See also: § 708A–732

Most of Schubert's compositions of 1821 are in the range D 708A–732:
 * Instrumental works include:
 * Symphony No. 7, D 728
 * Vocal music includes:
 * Alfonso und Estrella, D 732 (composition started in September 1821)

1822[edit]
See also: § 733–767

Most of Schubert's compositions of 1822 are in the range D 733–767:
 * Instrumental works include:
 * Symphony No. 8, D 759, a.k.a. Unfinished Symphony
 * Wanderer Fantasy, D 760
 * Three Marches militaires, D 733
 * Vocal music includes:
 * "Willkommen und Abschied", D 767

1823[edit]
See also: § 768–798

Most of Schubert's compositions of 1823 are in the range D 768–798:
 * Instrumental works include:
 * Piano Sonata in E minor, D 769A
 * Piano Sonata in A minor, D 784
 * Moments musicaux, D 780 (composition dates however uncertain)
 * Valses Sentimentales, D 779 (not necessarily all composed in 1823)
 * Vocal music includes:
 * Die Verschworenen, D 787 (completed in 1823)
 * Fierabras, D 796
 * Rosamunde, D 797
 * Die schöne Müllerin, D 795
 * "Auf dem Wasser zu singen", D 774
 * "Du bist die Ruh", D 776
 * "Lachen und Weinen", D 777

1824[edit]
See also: § 799–822

Most of Schubert's compositions of 1824 are in the range D 799–822:
 * Instrumental works include:
 * Octet, D 803
 * String Quartet No. 13, D 804 (Rosamunde)
 * String Quartet No. 14, D 810 (Death and the Maiden)
 * Arpeggione Sonata, D 821
 * Sonata in C major for piano four-hands, D 812 (Grand Duo)
 * Vocal music includes:
 * "Gebet", D 815

1825[edit]
See also: § 823–862

Most of Schubert's compositions of 1825 are in the range D 823–862:
 * Instrumental works include:
 * Piano Sonata in C major, D 840
 * Piano Sonata in A minor, D 845
 * Piano Sonata in D major, D 850
 * Vocal music includes:
 * "Ave Maria", D 839, and six other songs from Walter Scott's Lady of the Lake, Op. 52

1826[edit]
See also: § 863–895

Most of Schubert's compositions of 1826 are in the range D 863–895:
 * Instrumental works include:
 * String Quartet No. 15, D 887
 * Rondo in B minor for violin and piano, D 895
 * Piano Sonata in G major, D 894
 * Vocal music includes:
 * Deutsche Messe, D 872
 * "Im Frühling", D 882
 * "Ständchen", D 889
 * "An Sylvia", D 891

1827[edit]
See also: § 896–936

Most of Schubert's compositions of 1827 are in the range D 896–936:
 * Instrumental works include:
 * Piano Trio No. 2, D 929
 * Fantasy for violin and piano, D 934
 * Impromptus, D 899 and 935
 * Vocal music includes:
 * Der Graf von Gleichen, D 918
 * Winterreise, D 911
 * "Ständchen", D 920

1828[edit]
See also: § 936A–965B

Most of Schubert's compositions of 1828 are in the range D 936A–965B:
 * Instrumental works include:
 * Symphony No. 9, D 944 (completed in 1828)
 * Symphony No. 10, D 936A
 * String Quintet, D 956
 * Fantasia in F minor for piano four-hands, D 940
 * Three last piano sonatas, D. 958–960
 * Vocal music includes:
 * Mass No. 6, D 950
 * Schwanengesang, D 957
 * "The Shepherd on the Rock", D 965

Composition date undetermined[edit]
See also: § 966–992

Most of Schubert's compositions with an unknown or uncertain date of origin are in the range D 966–992:
 * Instrumental works include:
 * Valses Nobles, D 969
 * Vocal music includes:
 * Sketches for an opera known as Sophie, D 982

Not in the Deutsch catalogue[edit]
The New Schubert Edition mentions several compositions without a Deutsch number (D deest), most of them lost or fragmentary: Other:[citation needed]
 * Song for voice and piano, improvised for a play, possibly identical to D 284 (1815?, lost?)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1228_#1228:_(Lied_improvised_for_a_play)]_35-0">-35 [35]]
 * "Seliges Genügen", on a text by Johanna Claudine von Ziglowski (date unknown, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1229_#1229:_Seliges_Genügen]_36-0">-36 [36]]
 * Song, fragment for voice and piano (c. 1827, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1230_#1230:_(Liedfragment)]_37-0">-37 [37]]
 * Fragment without text for vocal soloists, choir and orchestra (date unknown)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1232_#1232:_(Fragment_ohne_Text)]_38-0">-38 [38]]
 * "doch stärker ist die Mutterliebe", fragment for voice and orchestra (date unknown, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1233_#1233:_"doch_stärker_ist_die_Mutterliebe"]_39-0">-39 [39]]
 * Overture for orchestra (date unknown, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1234_#1234:_Ouvertüre]_40-0">-40 [40]]
 * String Quartet in B-flat major (1816, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1235_#1235:_Streichquartett_in_B]_41-0">-41 [41]]
 * Fantasy for string quartet (1813, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1236_#1236:_Fantasie]_42-0">-42 [42]]
 * String Sextet, fragment for three violins, viola, cello and double bass (date unknown, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1237_#1237:_Streichsextett]_43-0">-43 [43]]
 * Fugue for piano duet (1813, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1238_#1238:_Fuge]_44-0">-44 [44]]
 * "Lieder für das Pianoforte": songs for voice and/or piano (unknown date, lost)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1239_#1239:_"Lieder_für_das_Pianoforte"]_45-0">-45 [45]]
 * Minuet for piano? (1813?, sketch)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1240_#1240:_Menuett]_46-0">-46 [46]]
 * Canon a trè: fragment of a canon for three voices (1816?)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1241_#1241:_Canon_a_trè]_47-0">-47 [47]]
 * Canon in C major for five voices (1826?)<sup id="cite_ref-FOOTNOTENSA_website[httpschubert-ausgabedeenresearchschubert-databaseFORM5Border5DbandnrFORM5Bseite5D1FORM5Bdetail5D1242_#1242:_Kanon_in_C]_48-0">-48 [48]]
 * Three 2-part imitation exercises in invertible counterpoint (1828)<sup id="cite_ref-FOOTNOTENSA_scores[httpswwwbaerenreitercomenshopproductdetailsBA5524_VIII, 2]_No. 10_49-0">2_No. 10-49 [49]]
 * Sketch of a composition "?" ['?'] for unspecified voices and orchestra (1811?, sketch)
 * Mass in C major (?) for mixed choir, two violins and organ (1811?, sketch?; lost or never written)
 * Theme of a dance composition (?) for piano (?) (1812?, sketch)
 * Trio "Scherz-Terzett" ['Mala musica, bona musica?'] for three altos (1812, doubtful)
 * Aria "?" ['?'] for bass and piano (?) (1812, sketch; also appears as "Allegretto in D major")
 * Fragment of a composition for violin (?) (1813, sketch; fragment)
 * Sketch of a composition for unspecified instrument(s) (1813, sketch)
 * Fugue in F major for piano (1813, sketch)
 * Piano piece (?) in F major (1813, sketch)
 * Fragment of an instrumental composition for violin, viola and guitar (?) (1813?, fragment)
 * Four Dances in A major for piano (1816?, only incipits are extant)
 * Song "?" ['?'] in C major for voice and piano (1816, fragment)
 * Song "Die Nacht" ['Die Nacht bricht an, mit leisen Lüften sinket'] for voice and guitar (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
 * Sketch of a theme for unspecified instruments/voices "Themenentwurf" (1818, sketch)
 * Sketch of a theme in A minor for unspecified instruments/voices "Themenentwurf" (1818, sketch)
 * Ecossaise in G major, Ländler in F major and Ländler in F minor (?) for piano (1818, sketches)
 * Vocal composition "?" ['?'] for mixed choir (?) (1818?, fragment without text)
 * Accompaniment for a vocal composition "?" ['?'] (1821?, fragment)
 * Vocal composition "?" ['?'] for unspecified voices (1821?, fragment)
 * Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
 * Fragment of a composition for unspecified instruments (1823, sketch)
 * Sketch of a composition for orchestra (?) (1823, piano sketch)
 * Piano Sonata in C-sharp major (1825?, lost or identical to D 568 1st version)
 * Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text)

References[edit]

 * 1) Jump up^ Newbould 1999.
 * 2) Jump up^ Hilmar & Jestremski 2004.
 * 3) Jump up^ Badura-Skoda & Branscombe 2008.
 * 4) %E2%80%93[httpsbooksgooglecombooksidSL3VXT875IQCpgPR17_xvii]_4-0 Jump up^] Deutsch 1951, pp. xvi–xvii.
 * 5) %E2%80%93[httpsbooksgooglecombooksid5MSxqOisofgCpgPA484_484]_5-0 Jump up^] Reed 1997, pp. 483–484.
 * 6) Jump up^ Van Hoorickx 1971.
 * 7) ^ Jump up to:a b c d e f g Deutsch 1951.
 * 8) ^ Jump up to:a b c d e f Deutsch 1978.
 * 9) ^ Jump up to:a b c d NSA website.
 * 10) ^ Jump up to:a b AGA 1884–1897.
 * 11) ^ Jump up to:a b c NSA scores.
 * 12) Jump up^ Schubert-online.
 * 13) ^ Jump up to:a b c LiederNet Archive.
 * 14) ^ Jump up to:a b Reed 1997.
 * 15) ^ )_15-0 Jump up to:a] )_15-1 b] )_15-2 c] )_15-3 d] )_15-4 e] )_15-5 f] )_15-6 g] )_15-7 h] NSA II, 15, p. IX (in Introduction).
 * 16) _16-0 Jump up^] NSA website, Winterabend.
 * 17) 324A_17-0 Jump up^] NSA website, Winterlied, D 324A.
 * 18) ^ Jump up to:a b c d e Kube 2009.
 * 19) Anh. I/6A_19-0 Jump up^] NSA website, D. Anh. I/6A.
 * 20) Jump up^ Elsholz 1982.
 * 21) Anh. I/30_21-0 Jump up^] NSA website, D. Anh. I/30.
 * 22) 21:_%22Vom_Gluck_sei_alles_dir_beschert%22,_MH 619_22-0 Jump up^] Mozart, Haydn & Haydn 2008, No. 21: "Vom Gluck sei alles dir beschert", MH 619.
 * 23) XXVIIb:B1_23-0 Jump up^] Hob., "Vom Glück sei alles Dir beschert", Hob XXVIIb:B1.
 * 24) _24-0 Jump up^] Schubert-online, Anhang III,1 Michael Haydn und andere Komponisten: Neun Kanons.
 * 25) 18:_%22Es_packe_dich_das_Gluck%22,_MH 577_25-0 Jump up^] Mozart, Haydn & Haydn 2008, No. 18: "Es packe dich das Gluck", MH 577.
 * 26) Anh C.10.14_26-0 Jump up^] K., "Es packe dich das Glück beim Kragen", KV Anh C.10.14.
 * 27) Jump up^ RISM No. 400187433
 * 28) 19:_%22Gluck_fehl_dir_vor_allen%22,_MH 582_28-0 Jump up^] Mozart, Haydn & Haydn 2008, No. 19: "Gluck fehl dir vor allen", MH 582.
 * 29) 22:_%22Wohlsein,_Freude%22,_MH 584_29-0 Jump up^] Mozart, Haydn & Haydn 2008, No. 22: "Wohlsein, Freude", MH 584.
 * 30) _30-0 Jump up^] Hilmar & Jestremski 2004, p. 361.
 * 31) 17:_%22Adam_hat_sieben_Sohn%22,_MH 699_31-0 Jump up^] Mozart, Haydn & Haydn 2008, No. 17: "Adam hat sieben Sohn", MH 699.
 * 32) _32-0 Jump up^] Keefe 2006, p. 135.
 * 33) XXVIa:C1_33-0 Jump up^] Hob., "Die Teilung der Erde", Hob XXVIa:C1.
 * 34) ^ Jump up to:a b Van Hoorickx 1974–1976.
 * 35) _35-0 Jump up^] NSA website, #1228: (Lied improvised for a play).
 * 36) _36-0 Jump up^] NSA website, #1229: Seliges Genügen.
 * 37) _37-0 Jump up^] NSA website, #1230: (Liedfragment).
 * 38) _38-0 Jump up^] NSA website, #1232: (Fragment ohne Text).
 * 39) _39-0 Jump up^] NSA website, #1233: "doch stärker ist die Mutterliebe".
 * 40) _40-0 Jump up^] NSA website, #1234: Ouvertüre.
 * 41) _41-0 Jump up^] NSA website, #1235: Streichquartett in B.
 * 42) _42-0 Jump up^] NSA website, #1236: Fantasie.
 * 43) _43-0 Jump up^] NSA website, #1237: Streichsextett.
 * 44) _44-0 Jump up^] NSA website, #1238: Fuge.
 * 45) _45-0 Jump up^] NSA website, #1239: "Lieder für das Pianoforte".
 * 46) _46-0 Jump up^] NSA website, #1240: Menuett.
 * 47) _47-0 Jump up^] NSA website, #1241: Canon a trè.
 * 48) _48-0 Jump up^] NSA website, #1242: Kanon in C.
 * 49) 2_No. 10_49-0 Jump up^] NSA scores, VIII, 2 No. 10.

Sources[edit]
Multi-volume editions, websites and catalogues Other
 * Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). [multiple volumes: 21 series + critical report]. Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Edited by Johannes Brahms, Ignaz Brüll, Anton Door, Julius Epstein, Johann Nepomuk Fuchs, Josef Gänsbacher, Joseph Hellmesberger Sr. and Eusebius Mandyczewski. Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project (IMSLP)
 * Deutsch catalogue (D) = Schubert Thematic Catalogue:
 * Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent; 1995 reprint, with errata correction, by Dover Publications: The Schubert Thematic Catalogue. ISBN 0486286851
 * Deutsch, Otto Erich; et al. (Walther Dürr, Arnold Feil (de), Christa Landon (de) and Werner Aderhold) (1978). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Series VIII (Supplement), Vol. 4. Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
 * Hoboken catalogue (Hob.): "Joseph Haydn (1732-1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
 * Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756-1791): Werke sortiert nach KV6 (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
 * Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
 * NSA scores: Schubert, Franz (1968–2017). [over 80 volumes in eight series]. Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Edited by International Schubert Association (Tübingen). Kassel: Bärenreiter; Individual volumes:
 * NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas, eds. Sacontala. New Schubert Edition (in German). Series II (Stage Works), Vol. 15. Kassel: Bärenreiter. ISMN 9790006497294.
 * NSA VIII, 4: See above Deutsch (1978)
 * NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
 * Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September2017.
 * The LiederNet Archive: Ezust, Emily; et al. (contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.
 * Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Contributions by Walther Dürr ("Schubert's Songs and Their Poetry", pp. 1–24), Rufus Hallmark ("Schubert's 'Auf dem Strom'", pp. 25–46), Elaine Brody ("Schubert and Sulzer Revisited", pp. 47–60), Marius Flothuis ("Schubert Revises Schubert", pp. 61–84), Elizabeth Norman McKay ("Schubert as Composer of Operas", pp. 85–104), Peter Branscombe ("Schubert and the Melodrama", pp. 105–142), Christoph Wolff ("Schubert's 'Der Tod und dad Mädchen'", pp. 143–172), Peter Gülke (de) (on String Quintet D 956, pp. 173–186), Paul Badura-Skoda (on Schubert's 'Great' C major Symphony, pp. 187–208), Robert Winter ("Paper Studies and the Future of Schubert Research", pp. 209–276), Eva Badura-Skoda ("The Chronolgy of Schubert's Piano Trios", pp. 277–296), Reinhard Van Hoorickx (de) ("The Chronology of Schubert's Fragments and Sketches", pp. 297–326), Arnold Feil (de) ("Rhythm in Schubert", pp. 327–346) and Alexander Weinmann (de) (on Leopold Puschl and Schubert's sojourn in Zseliz, pp. 347–356). Cambridge University Press. ISBN 0521088720.
 * Elsholz, Gunter (1982). Vogel, Reimut, ed. Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
 * Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider (de). ISBN 3795211557.
 * Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
 * Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena. Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
 * Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin, ed. Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
 * Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
 * Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
 * Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Belgian Musicological Society. 25 (1): 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
 * Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Belgian Musicological Society. 28–30: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.

External links[edit]
Categories:
 * (in German) Franz Schubert (1797-1828): Werke sortiert nach D (Deutsch-Verzeichnis, 1951) at www.klassika.info
 * (in French) Franz Schubert: Catalogue des oeuvres at musiqueorguequebec.ca
 * (in Italian) Franz SCHUBERT: Catalogo delle composizioni at flaminioonline.it
 * Alphabetical list of vocal music by Franz Schubert in the Choral Public Domain Library (ChoralWiki)
 * List of works by Franz Schubert: Scores at the International Music Score Library Project (IMSLP)
 * Lists of compositions by Franz Schubert
 * Compositions by Franz Schubert

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